Vocal artist rights advocate David Lowery has some serious issues with Spotify’s business practices and wants the streaming music giant to...
Vocal artist rights advocate David Lowery has some serious issues with Spotify’s business practices and wants the streaming music giant to pay big time. Court documents show, Lowery, Camper Van Beethoven and Cracker frontman, has filed a class action lawsuit seeking at least $150 million in damages against Spotify. The musician claims they knowingly, willingly, and unlawfully reproduces and distributes copyrighted compositions without obtaining mechanical licenses.
At this time, there’s also settlement negotiations between Spotify and the National Music Publishers Assn. over the alleged use of allowing users to play music that hasn’t been properly licensed. There’s rumors the company has created a $17 million to $25 million reserve fund to pay royalties for pending and unmatched song use.
“We are committed to paying songwriters and publishers every penny,” says Spotify global head of communications and public policy Jonathan Prince in a statement. “Unfortunately, especially in the United States, the data necessary to confirm the appropriate rightsholders is often missing, wrong, or incomplete. When rightsholders are not immediately clear, we set aside the royalties we owe until we are able to confirm their identities. We are working closely with the National Music Publishers Association to find the best way to correctly pay the royalties we have set aside and we are investing in the resources and technical expertise to build a comprehensive publishing administration system to solve this problem for good.”
Billboard Reports:
According to the complaint, Spotify has unlawfully distributed copyrighted music compositions to more than 75 million users, but failed to identify or locate the owners of those compositions for payment, and did not issue a notice of intent to employ a compulsory license.
The songs alleged to have been Illegally reproduced and/or distributed by Spotify include “Almond Grove” (copyright registration No. PAu003764032); “Get On Down the Road” (No. PAu003745342); “King of Bakersfield” (No. PAu003745341); and “Tonight I Cross the Border” (No. PAu003745338), according to the complaint.
The complaint further notes that statutory penalties allow for judgments between $750-30,000 for each infringed work, and up to $150,000 per song for willful infringement.
The complaint claims the lawsuit qualifies as a class action because there is a well-defined community of interest in the litigation and that members of the proposed class, which will exceed 100 members, can be easily identified via discovery from Spotify’s database files and records. A class action is more efficient than letting the courts be burdened with individual litigation, if every member of the class could afford to pursue action (which is highly unlikely). Class actions conserve the resources of the parties and the court system and protects the rights of each member of the class.
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In addition to entering an order appointing Lowery as the class representative and the plaintiff’s counsel as class counsel, the complaint asks the court to enjoin Spotify from continued copyright infringement; from further violations of California Business & Professions Code § 17200; injunctive relief that requires Spotify to pay for the services of a third party auditor to identify the works reproduced and distributed by Spotify without first obtaining a mechanical license; and requires Spotify to remove all such works from its services until it obtains the proper licenses.
Lowery, who also teaches at the University of Georgia, and the class seek restitution on Spotify’s unlawful proceeds, including defendants’ gross profits; for compensatory damages in an amount to be ascertained at trial; statutory damages for all penalties authorized by the Copyright Act; reasonable attorneys’ fees and cost; and pre-and post judgment interest on monetary awards.
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